Ancient Egypt: The civilization of God’s wrath

The pharoahs graves were dug up and looted. Their bones broken, their sarcophagus opened and their gold taken. Their tombs raided and their weapons sold off. Their graves moved or erased and or covered up. And this is the following of the nine gods. As I said in another chapter here, nine is of the occult and Egypt was one of the deepest of occult civilizations.
From their beliefs in the book of the dead and its magic spells to pass through the nine gates of the underworld to their building of the pyramids and their idols of half men, half animal gods. Their love was for gold and is of the god of riches and wealth. And all this and one man, one mild man God used to go in and go out and with him, take many out of bondage and slavery.
One man in a robe and staff to go up against the most advanced civilization of Egypt and against the pharoah! The place where the largest of structures of Earth have been built. And Moses walked it off like a good sport.

The egyptians worshipped cats, idols and were into black magic arts. The pharoah’s priests opposed Moses and tried to out do him with their magic arts, but Moses defeated that attempt with his single staff.
The pyramid has been a symbol of the occult and new age since any of us were born and when you see it, it is a warning to us that it is of something to think into the past about. When the one who was leader of this civlization defied God’s messanger and his warnings.
The pyramid is the symbol of idol worship and idolatry of self. When they say this is the true, original trinity and that the christian trinity is the follow up, false trinity…this is far from the truth. Do not believe this! The devil knew what was coming and does know his time is short and knows his fate. To counter God’s HOLY Trinity and to deceive many, he would create his own unholy trinity…in many forms. This doesn’t just come from the RA, ISIS, Horus trinity but there are others too. And just because it came BEFORE Christ…does NOT mean it is more true or more worthy than the trinity of the Father, Son and Holy Spirit.
The New age teachings are based on pyramidology, book of the dead, egyptology, black magic and channeling the unseen. These are the unseen forces that also the pharoah’s high priests were in touch with. And like Hitler who received information from such forces to create an anti-christ army, so too did the high priests of Pharoah to consult with the unseen to gain the knowledge needed for the building of the structures of Egypt. How else do we believe that Hitler knew so much more advanced technology for the domination of the air in his time, compared to the advanced technology of the pyramid structures during the pharoah’s time? His arm broken by God? The next anti-christ is said to be one armed and with one eye and with akward legs and twisted hair, stout in size and of the anti-messiah that many accept as the true messiah. How accurate those physical features will be…is only to be known when this comes.
Their god was the lord of the underworld, sun god RA and the mother goddess of earth, ISIS and the god of war, son of RA, the plant MARS is represented by this and is the aeon of Horus that is approaching for the end of days…days of the global order under the rule of the new pharaoh.
The protest by blacks in 07 that King Tut was black. Actually, he was Egyptian with dark skin that made him appear to look black but he was not African. There were simply similarities to the features but the African black is different of the Egyptian dark skin. Many of the blacks supporting this are going by only appearance. There are also asians who are chinese and korean and taiwan or Japan and many look alike but are different races. This is the same with King Tut.

Would you connect yourself with a civilization that received the WRATH of God? That insulted God’s messanger? That defied God’s words? That tested God’s will? That enslaved God’s people? That worshipped idols? That were involved in the underworld and the book of the dead vs the book of life? That were of astrology, fallen angels, nephilium connections and are today heavy within occult secret societies? Would you associate yourself with any symbol related to such? With any religion founded on such research as the Jehovah’s Witnesses and Mormans and Catholicism has basis in. Egyptian Oblisk center of the wheel at the vatican. Book of the Divine ages by Charles Russel of JWs. Egyptian plates read by Joseph Smith.
So, there you have it. This and there is a lot more to discover. However, today we have the novus ordo seclorum or New World Order under what on the back of US dollar? And what eye over the dollar? The all seeing eye of God or the eye of Horus? You be the judge. I simply show what is obvious.
I personally wondered for a long time why there is a pyramid on US $ money. And why anything related to Egyptian monuments or symbols are related to the Catholic church?

God took no time at all to take down the most powerful nation and civilization in the world with using the King of Babylon against the pharaoh and to scatter the people of Egypt and that HE DID. And it did not last against the God of Moses.
So…shall it come in our future, don’t be surprised of  the fallen angels and the new world order.
By Egyptraveluxe
info@egyptraveluxe.com 

Cleopatra, Antony and Caesar

The Greatest Love Story of all Time
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Hollywood's protrayal of Cleopatra, Queen of the Nile, differs from the historical record, of course. Yet the real Cleopatra was even more fascinating than in the movies.


Born in Alexandria in 69 BC, she may not have been particularly beautiful. Her portrait on coins of the time shows her with a hooked nose and manly features, though her voice was said to be alluring, and she was obviously of high intelligence and ability. She was not actually of Egyptian blood, but of Macedonian, descended from one of Alexander the Great¹s generals who had come to Egypt in the 300s BC and established himself as King Ptolomy I.



She came to the throne as Cleopatra VII in 51 BC, at the age of 17 or 18. Exiled three years later in a palace coup, she regained her throne with Julius Caesar¹s help. He called for her to appear before him, but knowing that plotters would kill her on the way, she had herself rolled up in an oriental carpet and carried into the palace secretly. Servants unrolled the carpet before Caesar, and Cleopatra fell out at his feet.




The Roman general was captivated by the vivacious, independent-minded young queen with the beautiful voice and fiery eyes. Caesar restored Cleopatra to her throne and they embarked on a two-month-long cruise up the Nile. Their son Caesarion was born shortly thereafter.


Cleopatra visited Rome in 46 BC, was received in triumph, and moved into Caesar's villa even though Caesar was already married. Caesar's imperial ambitions and his indiscreet extramarital affair with Cleopatra turned powerful senators against him, and he was murdered on the steps of the Senate in March of 44 BC.




Cleopatra fled to Egypt, but was called to Tarsus (on present-day Turkey's southern coast) by Mark Antony, one of the new rulers of Rome, to account for her actions. She arrived, dressed as Venus, goddess of Love, aboard a sumptuous "barge" sailed by a crew of female servants dressed as sea nymphs. The ship had a gilded stern, silver-tipped oars, and purple sails. Antony was bewitched! He told her dirty jokes and she told better ones right back. Whatever he wanted to do, she would do with him, proving herself his equal. When she returned to Egypt, Antony went with her to spend the winter in Egypt's pleasant climate rather than rainy Rome.
Not long after Antony returned to Rome, Cleopatra gave birth to twins. In Rome Antony married his co-emperor Octavian's sister and started a family, but four years later he was back in Alexandria, unable to live without Cleopatra. He married her in 36 BC, and never went back to Rome. Rome had had enough! Octavian invaded Alexandria in 30 BC.
On the verge of battle, Antony's fleet went over to the Roman side, and soon also did his cavalry. Antony fled to Alexandria and, thinking Cleopatra dead, stabbed himself. On learning she was still alive he had himself carried to her, and died in her arms. Octavian captured the Egyptian queen and set guards on her to make sure she did not commit suicide. He wanted to parade her through Rome triumphantly in chains. But she arranged for a servant to smuggle in an asp (a poisonous snake) in a basket of figs. She ate the figs, and wrote Octavian a letter asking that she be buried with Antony.
Octavian, sensing what this meant, alerted her guards to an attempt at suicide, but it was too late. Queen Cleopatra VII was dead at the age of 39. She was buried with Antony, leaving behind her a love story the world will never forget.

History of Egypt - Cleopatra VII, the Last Pharaoh ... Octavian allowed Cleopatra to arrange Antony's funeral. She buried him with royal splendor. After the funeral she took to her bed, sick with grief

Alexandria ....... Mediterranean Fantasy.... and a Voyage Into History

Conquerors, emperors, ancient travelers and traders have all approached Alexandria from the sea . . . and so will you! Only Travel in Style makes it possible to experience the very essence of this ancient city as it should be experienced, as it was known by pharaohs, queens, and invaders from Marc Antony to Napoleon.
We'll set sail into the great harbor, still the destination and port of call for ships from the far corners of the world. Landward, we'll espy the great and throbbing maritime metropolis of Egypt. Our course will take us directly above statues that lie on the seabed, and stone slabs of the Lighthouse-one of the Seven Wonders of the Ancient World-toppled in an ancient earthquake. We'll approach the great stone fortress of Qait Bey, reputedly constructed with some of those very stones.
Then we'll set a course along the coast to the East Harbor, dropping anchor above the Royal City that was submerged by earthquakes and tidal waves in the fourth century A.D.
This underwater treasure house includes the palace of Cleopatra, the Timonium of Mark Antony, fallen columns and capitals, sphinxes, and statues and ceramics, much of it remarkably well preserved. Certified divers among our guests may book an optional excursion to explore this submarine Pompeii.
Along the way, we’ll view the spectacular Bibliotheca Alexandrina—the Library of Alexandria—as few are privileged to see it. Taking the stunning form of an inclined disk rising from the waters, it aptly captures the rebirth from the sea—in Pharaonic fashion—of the lost Alexandria Library of the ancient Greeks that held the works of the greatest scientists and philosophers of the ancient world. Like its namesake, the new Bibliotheca Alexandrina serves as a storehouse of knowledge and a beacon of culture and intellectual expression in this part of the world. Our maritime view is just a preview of our visit to the library itself.


Then we’ll set a course along the coast to the East Harbor, dropping anchor above the Royal City that was submerged by earthquakes and tidal waves in the fourth century A.D. This underwater treasure house includes the palace of Cleopatra, the Timonium of Mark Antony, fallen columns and capitals, sphinxes, and statues and ceramics, much of it remarkably well preserved. Certified divers among our guests may book an optional excursion to explore this submarine Pompeii.


Finally, we'll conclude an unforgettable voyage through history by setting a course to Abu Qir, where the French fleet under Napoleon was destroyed by Admiral Horatio Nelson.
The visit is a perfect counterpoint to a visit to the Qait Bey, where moving relics of the ill-fated fleet are on display.
Please note that this opportunity is limited to up to seven guests at a time. Two small cabins are available for changing and rest, as well as a bathroom, galley, dining salon, and sundeck. Our vessel is fully staffed by a crew of three, including captain. By prior arrangement, we can arrange for a sunset sailing, with cocktails and light music on your vessel's sound system, or a full day of sport fishing.
We can also make arrangements for you to meet and share dinner as guests of a local family.
This is an extraordinary opportunity to go beyond the limits of the casual visitor, to share your aspirations, outlook, customs, and experiences with people who have a lot more in common with you than you might ever expect. If you're interested, just let us know, and consider taking along something from your home town to leave with your hosts as a gesture of appreciation.
The recent discoveries join the New Library, opened just last year, among the top attractions in Alexandria. And the New Museum will shortly open in a historic palace that once housed the United States consulate. 

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How ancient Egyptians Were cutting the Obelisk from the Granite quarry?

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Today, quarrymen cut and carve granite using saws with diamond-edged blades and steel chisels. But ancient Egyptian quarrymen and stonemasons didn't have these modern tools. How, then, did they quarry and cut such clean lines in their obelisks and other monumental statuary?  To find out how ancient Egyptians quarried huge pieces of granite for their obelisks, i traveled to an ancient quarry in Aswan, located 500 miles south of Cairo. This is where the ancient Egyptians found many of the huge granite stones they used for their monuments and statues. One of the most famous stones left behind is the Unfinished Obelisk, more than twice the size of any known obelisk ever raised. Quarrymen apparently abandoned the obelisk when fractures appeared in its sides. However, the stone, still attached to bedrock, gives important clues to how the ancients quarried granite. Archeologist Mark Lehner, a key member of nova expedition, crouches in a granite trench that abuts one side of the Unfinished Obelisk. Lehner holds a piece of dolerite similar to the kind that he and others believe Egyptian quarrymen used to pound out the trench around the edges of the obelisk. They then lifted the pulverized granite dust out of the trenches with baskets. Evidence also exists that workers pounded underneath the obelisk until the monument rested on a thin spine. Lehner says that huge levers were probably used to snap the obelisk from its spine, freeing it so it could be carved more finely and transported. Archeologists know that the ancient Egyptians had the skills to forge bronze and copper tools. Stonemason Roger Hopkins takes up a copper chisel, which works well when carving sandstone and limestone rock, to see if it might carve granite. "We're losing a lot of metal and very little stone is falling off," observes Hopkins, which is hardly the desired result. Hopkins' simple experiment makes this much clear: The Egyptians needed better tools than soft bronze and copper chisels to carve granite. As a young man, Denys Stocks was obsessed with the Egyptians. For the past 20 years, this ancient-tools specialist has been recreating tools the Egyptians might have used. He believes Egyptians were able to cut and carve granite by adding a dash of one of Egypt's most common materials: sand. "We're going to put sand inside the groove and we're going to put the saw on top of the sand," Stocks says. "Then we're going to let the sand do the cutting." It does. The weight of the copper saw rubs the sand crystals, which are as hard as granite, against the stone. A groove soon appears in the granite. It's clear that this technique works well and could have been used by the ancient Egyptians Hopkins' experience working with stone leads him to believe that one more ingredient, even more basic than sand, will improve the efficiency of the granite cutting: water. Water, Hopkins argues, will wash away dust that acts as a buffer to the sand, slowing the progress. Adding water, though, makes it harder to pull the copper saw back and forth. While Hopkins is convinced water improves the speed of work, Stocks' measurements show that the rate of cutting is the same whether water is used or not. Besides cutting clean surfaces on their granite, the Egyptians also drilled cylindrical holes into their stones. A hole eight inches in diameter was found drilled in a granite block at the Temple of Karnak. "Even with modern tools—stone chisels and diamond wheels—we would have a tough time doing such fine work in granite," says Hopkins. Stocks was brought along to test his theories about how the cores were drilled. Inspired by a bow drill seen in an ancient Egyptian wall painting, Stocks designs a home-made bow drill. He wraps rope around a copper pipe that the Egyptians could have forged. Hopkins and Lehner then pull back and forth on the bow, which is weighted from above. The pipe spins in place, rubbing the sand, which etches a circle into the stone. With the assistance of the sand, the turning copper pipe succeeds in cutting a hole into the granite slab. With the aid of a bow drill and sand, the pipe has cut a circular hole into the stone. But how can the drillers get the central core out? Stocks wedges two chisels into the circular groove. The core breaks off at its base. Stocks reaches in and plucks it out, leaving a hole behind not unlike the ones once cut by the Egyptians If you want to visit the Granite Quarry in Aswan where the unfinished Obelisk still laying down in the bed rock please contact us :info@egyptraveluxe.com Half day tour to the Granite Quarry

Tutankhamun's Textiles Reconstructions of the clothing and textiles found in the tomb of Tutankhamun

Hundreds of garments and other textiles were found inside the tomb of Tutankhamun. Beside simple rolls of cloth and plain tunics, the tomb produced elaborate garments, sometimes decorated with fayence and gold. This collection of textiles is the only surviving royal wardrobe of the pharaonic period. The Tutankhamun Textiles & Clothing Project Howard Carter was aware of the importance of the textiles of Tutankhamun, but in the years after the discovery of the tomb in 1922 he never found time to make a detailed study. During ten years the tomb was gradually cleared and notes were made about every object found. In addition to numerous drawings and descriptions in diaries, more than 2500 record cards and over 1500 photographs were made by Carter and his team. This material provided the basis of a detailed study started in 1993 by a team of the Egyptology department of the Leiden University led by Dr. G.M. Vogelsang-Eastwood, with the support of the Egyptian Museum in Cairo. Sails, tunics and leopard skins types of textiles The number of textiles in the tomb was impressive; over 740 garments, shrouds, covers of statues and textile objects like quivers and sails of boats models were found. Probably quite a few of textiles were stolen during the looting of the tomb, shortly after the burial. This explains the seemingly excessive number of loincloths: precious garments like royal tunics and sashes were taken away by the looters. It was not only the gold decoration of the garments which attracted the robbers. The linen of many tunics and sashes was extremely fine woven. With over fifty threads per centimeter, the decorative pattern of one of the surviving tunics The textiles found in KV 62 137(+5) loincloths 13(+4) tunics 10(+1) sashes 3(+1) wings 1 royal jacket 1 cuirass/leather scale armor 25(+7) shawls 2 hip-wraps 1 nemes 20(+19) khats 2 aprons 4 kilts 6(+2) pair of gloves 2(+2) pair of socks 4(+1) guards/archer’s pads 4+ leopard skins 1 portable pavilion 1 large pall 6 shrouds 2 quivers 4 hassocks 1 cushion 1(+1) bags 1 horse housing 3 sails of boat models 106 wrappings and covers of statues and other objects 316 rolls, masses of decayed cloth, box linings, chariot linings (x)=number of uncertain identification has been described as "painted". Wings One of the most mysterious objects encountered during the research of the textiles, were short tubes of linen, with a pair of bird wings attached to it. Carter examined these textiles only shortly and described them in his notes as 'some kind of headgear'. In many depictions of the pharaoh, protective wings are worn across the chest. In all these cases however, the body of the bird, mostly a falcon, can be seen slightly above the hips. It is unclear how these "falcons" are fastened to the body. The wings found in the tomb of Tutankhamun were worn in pairs, the body of the birds resting on the shoulders, and with the wings across the chest and back. The tube section was in fact a short sleeve. Most likely the heads, and part of the bodies, of the birds were covered by a collar. The conventions of the pharaonic art demand a complete as possible depiction of people, animals and objects, and especially important figures as kings, gods and protective birds like the falcon. This explains why these winged garments were shown lower on the body in the paintings and reliefs.