Monday, September 3, 2012

2012 and the Pyramids at Giza…





I happen to be one of those people who believes nothing is going to happen in 2012. However, in order to prove that to myself, I have been studying this issue for about four years now.  While studying ancient cultures I noticed that each of them had a fascination with the planets. The stars are mentioned of course, but not nearly as much as the planets. So when I saw a video a few years ago talking about Orion’s Belt being the reason why the Pyramids were built, or at least the Pyramids were built to honor Orion’s Belt… to say I did not believe that was true would be an understatement.

I felt if the Pyramids at Giza were built to honor anything it would be a planet convergence of some kind. So when I started looking at the night sky … my mind was already searching for clues. I wanted to see if there was anything worth mentioning regarding planet alignments in 2012.  What lead me too… or what helped me find… the picture below…  I was completely taken aback by what I found. To be completely honest I never in a millions years would have thought I would actually be able to prove my theory was in fact correct. But I cannot deny, and I don’t think any honest person can deny… What will happen in the night sky over Giza and how it seems to mimic the lay out of the Pyramids at Giza, is very interesting indeed… Especially since everyone already knows the Mayan’s attached great importance to the year 2012… now that makes this discovery even more interesting and plausible… especially since… the ending and restarting of the Progression of the Equinox… (The natural wobble of the Earth that finishes a full cycle only once every 26,000 years or so…)
Whether you believe something will happen in 2012 or not, is not important… The fact is that the planetary alignment matches layout of  Pyramids at Giza on 12.3.12 and this will happen just 18 days before 12.21.12.  … 6 plus 6 plus 6 = 18… Even the most ardent skeptics have to admit, that is one hell’va kawinkadink indeed!!!
 
Planetary alignment that will take place Dec 3, 2012  is dead-on alignment with the Pyramids at Giza. Night Sky in Giza, Egypt on December 3, 2012, local time  … one hour before sunrise compared with the Pyramids at Giza. Image generated by Starry Night Pro (the same view of the planets can be obtained using any other astronomy program,
… You will  notice that picture of Giza was posted by another member of that site… I posted his picture and Dec 3 2012 together… to allow you to decide for yourself. Please take a look at that picture, or if you want to do a more in-depth analysis
Also, it should be noted, that planetary convergence only happens every 2,737 years, and its different for at least 2 more cycles running the program forward… and doesn’t happen again for over 28,000 YEARS if you run that program backwards in time…
After watching a video on the net regarding the inner chambers of the great pyramid and how they seem to point to other stars in the night sky… I decided to see what else the night sky holds/will look like on Dec 3, 2012… I  believe the evidence absolutely proves that what I discovered explains that the pyramids where built to honor (or warn about) specific time marked by the planetary convergence…
 
Positions of planets can be used as a perfect clock. Such a clock can mark date in time (in the past and/or in the future) and can be read by inteligent beings regardless of their language and calendar they use


The following 3 images are presented here to confirm the “match” of the planets and the pyramids using a precise triangulation survey instead of a satellite photo
 
Night Sky in Giza, Egypt on December 3, 2012, local time  … one hour before sunrise. Image generated by Starry Night Pro.
 
Image of the Night Sky in Giza, Egypt on December 3, 2012, local time  … one hour before sunrise compared with the 1881 survey drawing of the Pyramids at Giza. The result is perfect match…
If the pyramids where built to honor Orion’s belt, instead of matching a planetary convergence seen only once every 2737 years, and only matching the Giza layout every fifth cycle… then why are there no other massive monolithic structures honoring other, more pronounced, constellations throughout Egypt, or the world for that matter… Every ancient culture seems to be honoring the Planets, with just passing homage to constellations… Why would the pyramids be different? The answer, they wouldn’t be… and what’s even stranger still… If you take the three sets of three pyramid groups at Giza, and add all of the three’s by two together… meaning, group 1, group 2, group 3.… add g1 to g2, g2 to g3, and g3 to g1, you get 6 plus 6 plus 6… 18… 18 plus Dec 3, equals Dec 21, 2012…
I have no doubt the Pyramids of Giza were built to honor an extremely rare planetary convergence. The creation story in the bible was created to tell that tale, and that, in part, is exactly what the Masons are celebrating. (Though the Pyramids are a lot older then the books of the bible.) The bad news for the Masons is, the stories they use to enhance the knowledge within each of its Masonic levels, has nothing to do with god or God, rather, it has everything to do with the science of our solar system, and planetary interactions… or more correctly, the Sun, Moon and Earth, the Hiram Key be damned. The stories in the bible, the first five books, has very little to do with God, more so then they have almost everything to do with extremely advanced ancient knowledge… that we can only recently understand and prove, that was in fact passed forward for the benefit of all mankind. The story of Moses and who he was gives great clues on how to re-read the first five books of the bible. The stories within the Mayan/Aztec cultures gives even more clues on how to understand the stories within the bible. There is still a lot more information that I firmly believe we will be able to discover throughout the world, and within other religious texts… that will either, support what I’m about to share with you, or perhaps… give more extremely ancient knowledge that the survivors (pay attention to that word) desperately felt they needed to pass forward. I could spend an incredible amount of time walking you through each level of this discovery. Yet I don’t want to ruin the journey for others. The picture proving the Pyramids at Giza do in fact match the planetary convergence that will take place one hour before sunrise on Dec 3, 2012 is presented here in order to get your attention.  I’m going to allow you, YES YOU, the opportunity to learn these truths on your own. Learn what the Sphinx will be looking at on that day and until Dec 21, 2012. Learn which two planets will be dancing in the Western Sky just before sunrise in 2012… I will hint you towards the month of August. Learn which chambers some believe align to what stars/constellations from the Great Pyramid, and then discover where they will be on Dec 3, 2012 and then on Dec 21, 2012. Some of you will already know the answers, and you’re welcome. For those of you who don’t… get up off your ass and find out. For those of you who claim nothing is going to happen in 2012, you may in fact be right. The good news is, you have nothing to fear from simple people freaking out because of all the hype of 2012. The bad news is… Extremely powerful people believe in the ignorant stories passed forward by our not so distant ancestors… They deeply believe in the numbers. They deeply believe in the ancient sacrifices. They deeply believe they are in fact doing g/God’s(s) work.
  • Count 144,000 days after Sept 11, 2001. You now know the amount of time we have left before they believe they must finish their work.
  • Count 666 days before Dec 3, 2012 and then find out where your leaders were.
  • Count June 10, 2011 to Dec 3, 2012. Count June 10 2011 to Feb 4th 2012, compare those numbers to Dec 3, 2012.
  • Count how many days separate Feb 4th 2012 from June 10, 2012. Then start running the numbers and compare them to numerology, Paganist lore, and the Bible. (Notice that is the first time I’ve capitalized the world bible.)
I have in fact solved the Pyramid Mystery. It cannot be denied any longer… However, I’ve also discovered why these Paganist must stop. Your mythology is wrong. I truly wish it wasn’t but it is. If what I’ve discovered is true, you are going to suffer in ways you cannot even imagine… You will not be loved for what you are planning, you will be despised and hated by the gods…
  • Compare our planet’s daily numbers to the distance of our Sun.
  • Compare those numbers to ancient mythology.
  • Compare the mathematical numbers to the days of the year you honor against those numbers and our solar system.
  • Compare 3, 7, 21, 42, 72, 111, etc… against our planetary daily numbers and the mathematical numbers we know are true regarding our solar system.
    Compare them god damnit and open your eyes.
33 = 9 x 3 = 27, not to mention 216 = 6x6x6 … which just happens to equal how many Sun’s you need to line up side by side to reach the Earth from the Sun. Who ever built those pyramids flew in space, period!!! [ Editor's Note/Correction: On September 18-19 the distance of the Sun from Earth is approximately 150.336 million km, about 108 times that of the Sun’s diameter (or 216 times of the Sun’s Radius) ]
Dec 3 is exactly 18 days before Dec 21.  18days*24hrs*60min = 25,920. The Progression of the Equinox takes exactly 25,920 years.
Now learn the cycle of Dec 3, 2012. It only happens once every 2737 years… but only matches the Pyramids of Giza every 5th cycle. Yet… how many cycle does it take for that convergence to match not only the Pyramids of Giza, and then compare that to the creation story in the bible and Mason mythology. You now know why there are 33 levels… however you also learn there must be a 34th… it’s the only way they could possibly obtain balance in their order… just like you will learn the advanced mathematical, solaristic, and scientific understanding our truly ancient ancestors had to known of  in order to build the pyramids the way they did, place them the way they did, and then hide all the information the way they did.




GOD HORUS

Horus-Ancient-egyptian-sky-god
The sky god Horus protecting the red (?) disk of Mars (NOT THE SUN!) which at this particular time was named Ramesses ('Fashioned by Re'), personified here as the young king. Photo credit: Jon Bosworth
The Falcon-god Horus can be traced back to the dynastic period around 3100 BC and is one of the most famous gods of ancient Egypt. Usually depicted as a hawk or as a man with the head of a hawk, Horus was not only a god of the sky but the embodiment of divine kingship and protector of the reigning pharaoh. Gradually the cult of other hawk gods merged with that of Horus, and a complex array of myths became associated with him.


Horus and the pharaohs (Horus in general)
 
Horus = ruling god king planet. In regards to the god kings - the astral pharaohs when reigning over earth as 'living gods' were simultaneously embodied in the sky god Horus - he was, just as the literal sources reveal, the guardian of kingship. However, there is much more to this, and after much diligent research I am now in a position to elaborate and promote a much more comprehensive understanding of Horus and his many forms.

By using sacred imagery along with the Egyptians own divine words (taken at face value) it will be shown how Horus was essentially an omnipresent sky deity whose physical form was above all manifest in the god king planets. Furthermore, the subsequent many coexisting forms of Horus derived from the very same red-orbed Pharaonic planets (as Horus) undertaking prominent and distinctive traits (e.g. the winged disk) and dwelling in certain locations (e.g. 'in' or 'on' the horizon) for lengthy periods of time - enough time to warrant the invention of a new form of universal god Horus. In other words, without the kingly planets (& cosmic chaos) there would be no Horus, and no variant forms. 

It will be further shown how Horus (and his many forms) was not the Sun or even some kind of vague mythical aspect of Re as many believe but a totally independent entity, and should be treated as such. This would include the apparent composite god Re-Horakhty (which really is the crux of the matter) and Horus Behdety (winged disk), again, not the Sun! They held physical presence in the same celestial sphere and certain text refer to Horus as the son of Re, but they were independent deities, moreover, worshiped as such. Only when the planets began to settle into their current orbits did the many forms of Horus slowly merge into one, leaving behind a legacy of enigmatic myths.       
Horus, Lord of the Skies

Establishing the origins of Horus and how the Egyptian kings became Horus incarnate.

The process of a planetary body becoming Pharaoh and the 'Living Horus' born to the skies of earth, as you would expect, involved a myriad of cosmogonical deities (Re, Isis, Hathor, Amun, etc.). By using the Ramesses the Great ('Fashioned by Re.' Clayton COP) as just one of the many guises of an incandescent red Mars, a rough sequence of events would go something like this.

Ramesses/Mars begins life as a very large star. In this form Ramesses/Mars is to be equated with Osiris, the quintessential god of the afterlife and the duel world above, which the Egyptians called Upper Egypt (the hemispherical dome of heaven perceived as a fixed land mass). Osiris is to be seen as a deity attributed to no one particular body but all that appeared in 'star form.' A god that basically transported the dead to be reborn as a star (akh) in the firmament above, just as the Egyptians tell us.   

Ramesses/Mars moves closer to earth and in doing so magnifies in size, slowly shedding its white Osirian linen bandages (star-like quality) to reveal a hazy red disk, in the image of Re, the Red Sun (hence, the kings were 'Offspring of Re'). Born amidst the general location of the ecliptic (apparent path of the Sun and planets) Ramesses/Mars at this stage is perceived to be a 'young Horus.' In giving birth too countless bodies, as well as playing a preliminary role in escorting them to the vibrant land above, this portion of the sky was deified as the mothering goddess Isis, which we will discuss shortly. 

Ramesses/Mars further magnifies in size, so much so it looms larger than the Sun (Re), and all other bodies. In a size determining factor here (from an earthly perspective), such an exalted status deems Ramesses/Mars god king of Egypt - the unifier of the 'two lands' of Upper (heaven) and Lower Egypt - an intermediatary between the moral and the divine. Moreover, Ramesses/Mars now becomes the 'Living Horus,' and 'Lord of the Sky.'

Note; as the record shows, it was the gods (through 'divine order') that dictated kingship throughout the ancient world. An understandable situation given the God King Scenario. 

Under the authority and guardianship of a range of cosmogonical deities (Horus, Re, Amun, etc.) Ramesses/Mars reigns over earth for a period of time, this paralleling the historical account (e.g. Ramesses II, 68 years). His very colourful life (battle campaigns, marriages, fathering over 150 children, etc.) is recorded via scared inscriptions and images throughout Egypt (sacred writings = events above).

Ramesses/Mars appears to move away from earth (temporary death) and in doing so is slowly transformed into a star (Osiris) once again.

"The king has come to his throne which is upon the Two Ladies and the king appears as a star." (Pyramid Text Utterance 248)  

This process would involve a red orbed 'spinning' Mars slowly becoming cocooned/wrapped in white 'star-like' material or, as the Egyptians believed, white linen bandages as Ramesses/Mars is mummified in preparation for rebirth in the Egypt above. Assisting in the mummification process was the blackness of space, which was deified as the 'black' jackal-headed god Anubis. The attributes of Anubis drawn from the natural world as jackals were observed loitering around cemeteries, thus perceived to be guardians of the dead (note; no such species as black jackals).

As a star, Mars has transformed from a living Horus (son of Isis and Osiris) into the god Osiris (star-form) and is subsequently named Ramesses-Osiris. He now begins the very perilous journey (chaos) to the duel world above, to be reborn in whatever form he so chooses. As the record shows, this process was repeated over and over again.

As Mars appears to move back and forth between the two lands of heaven and earth, it is named and renamed numerous time over, as too were the other perpetrators of chaos. The sacred names, titles and epithets given to the astral monarchy primarily dictated by their location, attributes and appearance in respect to Egypt's more prominent gods e.g. the Sun god Re gives us kingly titles such as 'Appearing like Re,' 'Rising like Re' and 'Shinning like Re,' and the deified global aurora (Amun) gives us 'Beloved of Amun,' and similar titles (see Names and Titles).    

The above gives us a brief process of how planetary kings became embodied in the 'living Horus.'

The following inscriptions leave us in no doubt of the kings astral status as the god Horus.

"Usermare-Setepnere (Ramesses II)  given life, in - - - giving to thee myriads of years,
eternity upon the Horus-throne of the living." (Breasted, Ancient Records of Egypt, Vol III p 115)
"His majesty (Tuthmosis) is Horus, assuming his (i.e. Horus’) kingdom of myriads of years."
(ibid, Part Two, p 73)
"Year 1, Akhet (month) 4, day 19, under the majesty of Horus…"
"Lord of the words of the gods, who appeared on the Horus throne of the living daily like his father Re."
"All their life and health was (from) the nose of the mighty king, the Horus, who repeats births, the beloved son of Amen-Re, king of the gods, who had begotten him so that he would be created, of the king of Upper and Lower Egypt."
(Tutankhamen's Restoration Stela)
"Grant that he rest upon thy throne as Horus, the Mighty Bull, beloved of Ma’at."
(Papyrus Harris, Breasted, Ancient Records of Egypt, Part Four, p 351)

It is well known and well attested to that Horus was a sky god, this raises the question, how can an earth bound king be the 'Lord of the Skies?' The God King Scenario promotes the idea that we take the Egyptians at their word, this will prove to be far more productive than invoking a surreal world we don't understand.

The phrase "... the Horus, who repeats births...." is explained thus. Mars appeared to move back and forth in an endless cycle of death and rebirth (morphing between a red orb and a star). Each time it was born to earth it became Horus incarnate, more specifically "Horus, who repeats births."  A very common phrase....

(Ramesses II) "....shining upon the Horus-throne of the living, like his father, Re, every day..." (Ibid Vol III p 118)

Raises the obvious question, how can humans shine 'like the Sun?'

Taken at face value, the text also make it very clear that two totally separate deities are being referred to here, insofar as, Ramesses shines on the Horus throne 'like' (thus separate too) the Sun.

egyptian-sky-gods-heru-falconWith the above in mind, the iconography becomes virtually self-explanatory. For example, the photo at the top of the page depicts the 'good and just' god Horus protecting the disk of a young Ramesses/Mars. Similar iconography can be found in the image on the left where the pharaoh Khafre's head and neck are physically embraced by the wings of the protective sky god Horus. According to almost every single book on ancient Egypt, art such as this is believed to be 'idealized' - the Egyptians were somehow tying to conceptualise an ideal world, or so the theory goes. Are they correct? Absolutely not! All Egyptian art derives from catastrophic events in the heavens. 'Idealised' is a term used by scholars who fall well short when it comes to understanding ancient minds.



The Horus-Name
Horus_sky_gods_Ancinet_Egypt
The oldest known part of the royal titulary is the Horus-name. The kings were given the Horus-name upon enthronement, or upon 'outsizing' thus 'outranking' all other bodies. On the right we have a very fine example of a Horus name written within a Serekh (Photo credit: Guillaume Blanchard). What follows is a few Horus names given to the kings which are clearly celestial in connotation (after all Horus was a sky god!) 
Hor-Aha "The Fighting Hawk."
Den "Horus Who Strikes."
Djet "Horus Cobra" (one shown).
Djoser "Divine of the Body." 
Tutankhamun "Strong Bull, Fitting From Created Forms."
(above source: Clayton)
Tuthmosis (Moon) "Horus Mighty Bull, Arising in Thebes."
Neferefre "Horus, Beautiful Of Apparitions."


The Horus-name given to celestial 'doubles.'

Quote:
"The Horus name of a king is that which was given to his Ka, or 'double,' and it is written inside a representation of an object called the 'Serekh'...." (Budge, Book of Kings, Vol 1 p XIII)

"It was, perhaps, not so much the man who was identified with Horus himself, but rather the ka of the pharaoh, which, created as the body's twin, was an expression of the life force, rather than just an aspect of his person."


The Ka has been traditionally translated as some kind of invisible life force or 'soul,' this is totally incorrect. In a world dominated by cosmic chaos and observations of kingly planets appearing to move back and forth between Upper and Lower Egypt (living, dying & rebirth), the Egyptians developed the natural belief that astral bodies such as planets, comets and asteroids were the Kas or 'doubles' of themselves. Real physical astral personified 'doubles' that the earthly Egyptians believed they would join with (via the ba bird) after death, to journey too, and ultimately be reborn in the duel Egyptian world above


The naming of the kings Ka with the Horus name offers valuable support for my afterlife interpretation. Inasmuch as, we are able to take the whole Egyptian theology at face value - the Egyptians really were naming the kings Ka, only this was a real life planetary body and not some obscure invisible life force.      

"He shall be at the head of all the Kas ('doubles') of the living." (Thutmose III: The Napata Stela)
My interpretation: Tuthmosis/Moon with numerous trailing satellites.

Golden Horus Name

In later times (important) the Egyptians added the golden Horus-name to the royal titulary. Scholars are completely baffled by this. falcon-god-horus-golden-heru

"The golden Horus name represents the falcon god Horus perched on a symbol that usually represents 'gold' (image right). However, its meaning is hotly disputed


We may ask the question, if Horus was some kind of obscure aspect of the Sun, then why have a Horus name and then add an additional golden Horus name? For what reason? If the Sun, why wasn't the golden Horus-name used solely from the beginning of dynasty Egypt?  

The GKS suffers from no such reservations, and by applying the simple formula, Horus = resident god king planet (or planets), things become self evident. The golden Horus-name was added to the list of kings titles because in later times the astral monarchy many times adorned a golden hue. This would be especially so in the New Kingdom (circa 1,000 BC revised chronology) when errant planets not only orbited around earth (geosynchronous orbit) but also began to migrate towards the Sun. What this means is they now appeared sunside (between the earth and Re) - major events now begin to dominate the daytime sky, the upshot of which was planets appearing golden.

The inscriptions fully corroborate this:  female-horus-falcon-ancient-egypt
Tuthmosis III ("Born of Thoth" = Moon)

"Horus of Gold Powerful of strength, Sacred of appearance."


"He (Amun [aurora]) modelled me as a falcon of gold".

Tuthmosis (Moon) co-regent Hatshepsut (Venus) calls herself "The Female Horus of Fine Gold." (ibid)

This would be especially so of the Moon (Tuthmosis, one of many names), as even today the Moon can appear golden during the day (go out and look!).

Above right, the Hawk of the Pharaoh, Hatshepsut/Venus (Temple, Luxor)
Notice (in this case) the overall golden (possible reddish?) hue given to Horus and the disk of Venus/Hatshepsut (NOT THE SUN!). Also the addition of the cobra is highly significant and represents the lashing out of gigantic volcanic eruptions emanating from a sea of boiling hot lava on the surface of Venus.  


(Photo credit: Steve F-E-Cameron 

The above gives us a basic platform for understanding the sky god Horus. We will now discuss some of his more prominent forms. 

Harpocrates 'Horus, the child.'

The Goddess Isis = Ecliptic

Although an invisible path traced out by the Sun to us, in ancient times the ecliptic was clearly seen. It was made visible as a result of incalculable amounts of dust and debris littering the plane of the elliptic. The sweep of the ecliptic was easily discerned as it arched across the heavens as a hazy band (mound) spanning up and out towards the relatively unwavering planets Jupiter (Ptah), Saturn (Sokar) and beyond. This was the very same dust and gases which hazed our Sun red. As mentioned above, the ecliptic 'zone' was deified as the Goddess Isis.

The ecliptic/Isis was a hive of activity as it not only gave birth to and housed the divine monarchy (and numerous other bodies) but also played a crucial role in their journey to the duel Egypt above (Isis is credited with inventing mummification). Isis was a bovine nurturing sky goddess whose countless titles and epithets are completely consistent with this unique identification.

"Praise to you, Isis, the Great One, God’s mother, Lady of Heaven, Mistress and Queen of the gods." "Isis, giver of life, residing in the sacred mound." (Isis temple, Philae) 

'Lady of Heaven,' 'From whom all beginnings arose,' 'Opener of the year,' 'Lady of the new year,' 'Maker of sunrise.' As a goddess of the sky (ecliptic) she was all of these and more.
Isis_Hous_Breast_milk_falcon
In giving birth to the astral monarchy, Isis was the mother to the king and the throne of Egypt. This is echoed in the literal translation of her name (Isis name above) which means 'She of the throne.' It is noteworthy that the Isis name also contains an egg - this was undoubtedly symbolic of the ecliptic/sky/Isis giving birth.

Above all this, was the fact that since the kings were Horus incarnate, the primary role of Isis was that of mother to Horus. Or to put it another way, it was the ecliptic/Isis that fashioned the physical manifestation of the sky god Horus by means of the planetary kings. 

The photo on the right depicts a bronze statue of Isis suckling Horus (king). With the above in mind, the iconography hear is clear. It represents the sky (Isis/ecliptic) nursing the infant Horus-king, born to the skies of earth. Herein lies the origin of an aspect of Horus known as Harpocrates, 'Horus, the Child.'

"Horus the Child, son of Isis, son of Osiris, lord of the Abaton and of Philae."
(Inscription at Dendur) Isis is shown in the act of suckling Horus as a direct result of observations of pharaonic bodies actually sucking 'white' streams of material (milk) from a dust strewn solar system (analogy, Saturn's moon Prometheus sucking material from its F ring,. Hence Isis was also known as the 'Great white sow of Heliopolis,' and the 'Isis Cow.' Also note the cow horns, these represent the 'housing' of the red disks of the planets (and the


This theme echoes throughout the ages; below is a famous medieval icon of Mary and Jesus (left) and Madonna and child (right). 

Religion-god-mary-jesus-death religion-Jesus-Horus-god-afterlife

There is no doubt such symbolism finds its origins in Egyptian theology, and by extension cosmic chaos. I would take this a step further and suggest all the world major religions have their origins in recent upheaval in the solar system. Moreover, the key to understanding this lies with the god kings of the ancient Egyptians and Mesopotamian cultures. I would further argue, to understand ancient Egypt is to understand cosmic chaos.


Harsiese 'Horus Son of Isis'

For conceptual purposes, not as an historical matter, the two primary aspects of Horus from which the majority can be derived (including the above Harpocrates) are Harsiese and Haroeris. We will discuss Harsiese or 'Horus son of Isis' first.

There exists many references to this aspect of Horus, although it has to be noted my research reveals Harsiese primary role seems to be more in connection with the Hereafter. This is supported by numerous funerary references and the imagery where Harsiese features predominantly (in respect to other forms of Horus) on many tomb walls and papyri. Given that Harsiese was also the son of the quintessential god of the afterlife Osiris (star form), this is no surprise. This would be in contrast to the more familiar Haroeris (next), who in his many aspects dominates the 'outside world' - he is carved on temple walls, in statues, carved on obelisks and features strongly in Egyptian art in general. I will explain why this was shortly.
Horus-son-of-isis-afterlife

Harsiese was commonly represented as an anthropomorphic falcon-headed man wearing the crown of Upper and Lower Egypt (image above). Sometimes it is difficult to tell which Horus is being represented as many can look identical. We have to consult the text (where possible) to be sure of correct identification. The above afterlife scene depicts 'Horus, son of Isis' (Harsiese) leading queen Nefertari (a guise of comet Venus, as per the headgear) on her first stage to a life of immortality in the next world above.

I would like to make clear that although it was the astral kings (via location 'zones' and attributes) who gave rise to the many forms of Horus, whenever a Horus form is depicted or cited, this doesn't signify a kingly planet. On the contrary, as above Horus was an omnipresent sky god of many forms who presided over many locations and could be invoked at any time.

It really depended on the dynamic events of above and how the Egyptians perceived them. A simplistic interpretation of the above scene would be as follows; Venus/Nefertari was observed to slowly migrate across the sky and away and from earth (towards the west?), and given that everything came under the will of the gods, it was believed that in this case, Horus son of Isis presided over such movements.   

With this in mind, I would tentatively suggest that Harsiese also be associated with the main east-west band (ecliptic) of the sky along with his mother Isis, but not I might add, the horizons. Other forms of Horus were invented as guardians of the horizons (on which see below).

Harsiese dividing the firmament.

“I have taken possession of the sky, I have divided the firmament, I will show the paths of Khepri [Electrical manifestation], and the dwellers in the netherworld will follow me.” (CT text 326)

Harsiese perhaps should be seen as a more mature version of Harpocrates. As the son of Isis (ecliptic) and Osiris (star form) this would make good sense. May I remind the reader; without the pharaonic planets, there would be no Horus or his innumerable forms. A good example of this would be Hatshepsut/Venus who called herself the female falcon.

(On Osiris)"And his son Horus arose as king of Upper Egypt, arose as king of Lower Egypt, in the embrace of his father Osiris and of the gods in front of him and behind him." (From the Shabaka Stone)

A passage from the Coffin Texts (passage 148) sums up Horus in his own words:

"I am Horus, the great Falcon upon the ramparts of the house of him of the hidden name. My flight has reached the horizon. I have passed by the gods of Nut. I have gone further than the gods of old. Even the most ancient bird could not equal my very first flight. I have removed my place beyond the powers of Set, the foe of my father Osiris. No other god could do what I have done. I have brought the ways of eternity to the twilight of the morning. I am unique in my flight. My wrath will be turned against the enemy of my father Osiris and I will put him beneath my feet in my name of 'Red Cloak'."
(Myth and Symbol in Ancient Egypt, Rundle Clark, 

This aspect of Horus features prominently in the Osirian mythos; Harsiese as ‘Horus-saviour-of-his-father’ is awarded the cosmic sovereignty after a lengthy conflict with his uncle Seth (god of evil). This conflict, in which Horus receives constant assistance from his mother Isis, is fought on many levels - magical, juridical, cosmic, medical - and is the principal symbol of conflict as such in Egyptian religious thought. When Egypt’s pharaoh strives against enemies foreign or domestic, it is as Horus against Seth.

Such myths originate from the 'face of heaven' i.e., the good and just god Horus, fighting to maintain 'divine order' (ma'at) through kingly bodies. This is subject for another time.

Horus-Seti-Anubis-afterlife-harsiese
Harsiese (Horus son of Isis) and Anubis (god of blackness of space) escorting the king (centre) towards the very real Egypt above. 

Hathor (hat-hor = House of Horus)
The very same dust and debris that littered the solar system also congregated around earth's celestial equator (a natural sequence of events) to form a dynamic gigantic hazy ring system (a good analogy would be Saturn's Rings only not so defined). As I have proposed, the Egyptians deified this 'secondary' more prominent east-west hazy band of debris as the bovine goddess Hathor.

Isis (ecliptic) and Hathor (earths rings) shared similar traits and were at times interchangeable because their paths would cross throughout the day and year (the ecliptic moving in relation to the more fixed equatorial Hathor). This due to earths daily spin and its annual trip around the Sun.

Looking up, on countless occasions 'Hathor's haze' took precedent over the ecliptic (Isis) which was physically behind earth's rings. What this means is, the Horus kings were also repeatedly seen to be born in, reigned and perceived to die amidst Hathor. Hence the name Hathor which literally means 'House of Horus.'

Haroeris (Horus the Elder or Horus the Great) consort of Hathor

The other prominent form of Horus from which many other forms derived was Har-wer, 'Horus the Elder' or 'Horus the Great' (Greek form Haroeris). This was the form of Horus worshiped from the earliest periods, especially at the city of Nekhen, which the Greeks called Hierakonpolis, 'the city of the hawk.'

As mentioned above this form of Horus is ubiquitous throughout dynasty Egypt. He is carved on numerous temple walls and monuments and was associated with kingship from proto-dynastic times. This is the Horus that stands on top of the rectangular enclosure (serekh) containing the holy Horus name of the kings as in the image above. The very same Horus stands on the back of the famous statue of Khafre (also above) with his wings outstretched to protect the king. Excluding Egypt's tombs and funerary text you wouldn't be far out by adopting the notion that most depictions of Horus represent Har-wer, Horus the Great and his many derivative forms (Behdety, Horakhty, Re-Harakhty, etc. see below).    

Haroeris, consort of Hathor

I have placed Horus son of Isis (and Osiris) as the masculine (Isis, female) guardian and 'face' of the ecliptic. In a similar vein but different 'zone,' I would suggest Horus the Great be equated with earth's deified hazy band, Hathor; why? A number of reasons. Firstly, this Horus was the husband (sometimes son) of Hathor, so we have an obvious close and personal connection here. Secondly, the iconography supports the first reason as Har-wer is depicted numerous times as the consort of Hathor (example below). Thirdly, as discussed the name Hat-hor means house of Horus, so the question arises as to which Horus is being referred too here - which Horus is being housed? Given the textual references and imagery it is logical to assume this has to be Horus the elder - a Horus god around since the birth of pharaonic Egypt - a deity that appeared even before the Sun god Re! And finally, Harwer was the Horus form closely associated with kingship. What this means is to become the living Horus planetary bodies had to appear as 'living,' 'breathing' red disks (in the image of Re) in close proximity to earth, thus more often than not they appeared amidst Hathor's dust... the upshot... Horus the elder (older, or even ancestor). The epithet 'Great' or 'Elder' because even through times of tumult where Re was completely obscured, Horus the Great being close to earth would literally shine through via Egypt's godly pharaohs. 

This isn't as clear cut as I'm making out but this is to be expected given the ever changing heavens and the fact that Isis (ecliptic) and Hathor (earths ring) crossed paths on a daily and annual basis. That said, I do believe my identifications gives us a fundamental basis from which to work from.

Horus-planets-chaos-Mars-Venus
Above right: Ptolemy VI (Mars?) making an offering before the gods Horus (Har-wer) and his wife Hathor (earth's rings housing the red disk). Note the kings distinctly unusual headgear on which scholars offer no explanation. I will follow up on this in the near future.    

There are so many permutations here; one such scenario would be a planetary body born amidst the distant ecliptic as 'Horus the Child' only to move to the forefront and amidst Hathor to become Haroeris, 'Horus the Great.' 

"When he reaches maturity Horus becomes Har-wer or 'Haroeris' - the elder Horus now capable of seizing power." (Egyptian Gods and Goddesses, Hart 91)  

Independent Horus deities (an example of why confusion reigns). 

Horus the Elder was worshiped as an independent deity to Horus Son of Isis, that is until later times when the various form of Horus became blended into one.

We can see just how difficult it is to tell them apart by comparing Horus the Elder in the image directly above with Harsiese in the Nefertari image above - there is little if anything to tell them apart and yet they were independent deities, as too were other Horus forms. The Coffin Text confirm their independence.
"Although Egyptian texts usually make little effort to distinguish Haroeris from Harsiese, the Coffin Texts do feature, among the genre of spells for transforming into, or invoking, particular deities, separate spells for “Becoming the Elder Horus” (CT spell 280) and for “Becoming Horus” (i.e., the son of Isis)

The imagery further supports this independence.

Isis-horus-Mars-venus-gods

From the right: Horus the Great seemingly watching over Horus and Isis (as a cat) who offers the symbol of life (ankh) to a Ptolemy king.

A point to be made here is the Egyptians when carving such meticulous reliefs knew exactly what they were portraying. They were fully aware of the various forms of Horus and the locations they represented - there can be no doubt they were able to distinguish between the two Horus' otherwise they wouldn't have carved them. Along with the cardinal points and a thick dusty horizon, cosmic dust created many 'zonal bands' in the heavens. These were home to Egypt's numerous cosmological gods who nurtured and looked after the astral kings - Horus, and his many forms being just one of them.
God of Light

It is epithets such as this that had led scholars to erroneously believe the Egyptians must be somehow referring to the Sun, this is incorrect. Pharaonic times saw the moon-thoth-deity-capture-moonsurfaces of Mars, Venus, Mercury and the Moon molten hot - incandescent orbs generating their own light (see Cobra). The same Horus bodies also reflected light from Re - on numerous occasions Horus would shine bright during the night, and in this ancient twilight world (red Sun) also during the day. A simple analogy; the Sun today grants visibility to our Moon by shinning on it. Our Moon, it could be said, is the last remaining Horus of ancient times.

CT spell 280, addresses the deceased as “the elder Horus who took sail at nightfall … he who mourns in the mansion of Osiris … your eye is Re” [reflected light from the Sun]. This represents a luminous planetary body, a 'god of light' taking sail at nightfall, a common occurrence.  

"Horus: Mighty Bull, Shining in Thebes" was a common 'Horus' epithet bestowed upon numerous Pharaohs - a very apt title. 

Image right: Another aspect of the spirit and personification of the 'height' of heaven - Horus manifest as the lunar god Thoth. An image that appeared in later times as the Moon fell under earths gravitational spell. 

'Horus who rules with two eyes,' the eyes of heaven?

Quote: "According to later traditions, the right eye represented the Sun and so is called the 'Eye of Ra' while the left represented the Moon and was known as the 'eye of Horus' (although it was also associated with Thoth). However, in many cases it is not clear whether it is the left or right eye which is referred to. Others myths suggest that it is Horus´ right eye which was torn out and that the myth refers to a solar eclipse in which the sun is momentarily blotted from the sky"  Horus was sometimes given the title Kemwer, meaning (the) great black (one).

Regarding the 'eyes,' the above sounds quite plausible, especially when taking into account they are referring to "later times." A time when perhaps cosmic chaos had settled somewhat leaving behind the Sun and the Moon (Thoth) as the primary eyes of heaven. 'The great black one' could be a simple reference to the night sky. Unfortunately it isn't as simple as that. For a start, if nothing has changed since time immemorial then why wasn't the Sun and Moon the 'eyes' of heaven from the beginning of pharaonic Egypt? Actually, a little research reveals the whole thing is shrouded in confusion, contradictions and erroneous assumptions, for example.

"Horus the Elder was said to have a green, with which the Egyptians meant red (cf. Red or Green Crown of Lower Egypt), eye which represented the Sun, and a lesser white eye, the Moon."
"The blue-eyed Horus comes to you; the red-eyed Horus, violent of power, waits for you." (BOD 117)

"His right eye was white and represented the sun; his left eye was black and represented the Moon"King Unas is said to have taken these to illumine his face (Gods of the Egyptians, Budge).We also have the titles, 'Horus of the two blue eyes' and 'Horus of the two red eyes' (Ibid). 

Confused? While it may be possible to understand the references to the left eye being white or even black and representing the Moon, where on earth did a 'white Sun' come from? What of the blue and red eyes? If signifying the Sun and Moon shouldn't any reference simply refer to a white and golden eye, as per exactly what is seen? Only in a world where errant bodies adorned a variety of colours can we even begin to understand such enigmas.

To compound matters further when in hieroglyphic form or pictorially represented, the 'eyes' are presented thus. 
Horus-eyes-coffins-mars-mercury

Who amongst us would have thoughts that the Sun and Moon were being referred too here? Colouring the eyes white and golden may prompt such thoughts, but the art reveals that this clearly isn't the case. Given the many colours (and locations) of the Horus bodies, I would suggest that the Egyptians are merely representing the 'eye(s)' of the sky in a very simplistic and universal form, in order to be understood by all. 

The Eye of Horus

Too much to go into detail here, suffice to say, in connection with the above, the 'eye' or 'eyes' of Horus (and Re) are all to do with large bodies prominently reflecting or generating their own light and thus becoming 'whole' or 'complete.' This 'battle' was certainly played out in the light and dark phases of the Moon in later times  Note the Egyptians didn't worship the Moon in earlier times, this is understandable since the Moon was only captured during Pharaonic times, its rise to prominence parallels its slow capture. I will address the Eye of Horus at a later date.
   
Horus and the horizons

As you would expect with Horus bodies rising and setting like Re, of great importance was the horizons. These came under the authority of at least three aspects of the same Horus 'horizon' deity, Harmachis, 'Horus in the horizon' - Horakhty, 'Horus of the horizons,' and Re-Horakhty, 'Re-Horus of the horizons.' All these belong to the Horus 'ruling the earth' side of the god kings i.e. Haroeris, or the 'Horus the elder' aspect. We will discuss all three plus a bit more.         

Harmachis (Horemakhet, Harmakhet) 'Horus in the horizon'

Given the current belief that Horus was some kind of weird aspect of the Sun, many have pondered over this title, for how can it be said that the Sun was 'in' the horizon? 'On' the horizon we may understand but 'in' just doesn't make sense. We may also ask the very simple question as to why the Egyptians felt the need to invent so many independent deities just to explain the simple rising and setting of the Sun.

A very straightforward explanation is as follows. Cosmic catastrophe gave way to countless tons of dust and gasses, and in addition to hazing the sun red (exactly as depicted) it also fell to earth to mix with an already dust filled atmosphere. This brought about by countless active fire breathing volcanoes (triggered by close proximity bodies) which also spewed out tons of dust and ash (god of volcanoes, Bess). This created a thick hazed band of dust around earth's horizon. It encircled the flat pancake of earth in the north, south, east and west. Its thickness was determined by the intensity of chaos and to a certain extent it many times gave the illusion of actually intermingling with the fabric of earth.

On numerous occasions the god king planets as Horus were seen to reside in this 'red' curtain of haze as they spun with earth (thus appearing stationary). In other words, we have a literal translation of the Horus god Harmachis, or 'Horus in the horizon.'    

"The redness of dawn is also connected to Horus, the archetype of kingship. PT 404, for instance, includes a reference to the ‘Horus of (dawn)-redness,’ and the king himself is said to be “the redness that came forth from Nut” in PT 1460a (Goebs,168). Horus is explicitly connected to red cloth in texts related to the ritual of the meret-chests at Edfu. The god is said to “…unite with the seshed-linen to overthrow your foe. You hold the red linen in its moment”


Horus-horizon-mars-ancinet-gods
Horakhty - 'Horus (manifest through Mars) IN the Horizon' i.e., Mars appearing stationary 'in' the horizon. Note the yellowish coronal ring encircling the disk above Horus' head (insert). I've done my best to recreate this around the orb in the picture. It undoubtedly represents the thick dense gaseous atmosphere of Mars as it is slowly and systematically torn apart from an earth-like planet to its now frozen, barren desolate state.  

Horakhty (Harakhty, Harakhti) 'Horus of the horizons.'

(Its possible the word Horizon, Hori-zon (Hori, Hore, Heru?) derived from the name Horus) 

The celestial kings as Horus incarnate presiding over the horizons i.e., red orbs rising and setting like the red Sun.

"The form Harakhti or "Horus of the horizon" refers to the god rising in the east at dawn to bathe in the "field of rushes." The Pyramid Texts mention this aspect of the god linked to the sovereign: the king is said to be born on the eastern sky as Harakhti. Also since the element -akhti can be a dual form of the noun akhet (horizon), there is a play on words when the king is given power over the "two horizons" (i.e. east and west) as Harakhti." (my bold emphasis).

"Horakhty, only god, king of the gods; he rises in the west, he sendeth his beauty --."
(Breasted vol III p II, my bold emphasis).  

The inscriptions do not leave any room for misunderstanding here, it clearly states, the god Horakhty rose in the west! Given that most people accept the notion that Harakhty is some kind of aspect of the Sun, this has led many catastrophists to promote the idea that the earth somehow physically toppled over on its axis leading to the Sun rising in the west. This is incorrect; the god kings as Horus probably rose in the west on a number of occasions, and since the earth didn't flip over they were able to write about it.  

Horus-offering-symbols-life-ankh

Above: Horakhty offering the symbol of life to the king (spot the difference with the above Horus').

The following inscription reveals Ramesses/Mars appeared somewhere close to the horizon above Nubia in the south (as above, so below).   

Ramesses II; "He made (it) as his monument for his father, Harakhty great god, lord of Nubia."
(Breasted vol III p 213)

Sometimes an incandescent red orb, sometimes enshrouded in dust and debris and electrical manifestations giving the illusion that Ramesses/Mars resided in a mansion or 'great house' above (per'ah = pharaoh = great house). The following text reveal that Ramesses/Mars as the incarnation of Horakhty (or at the very least under the authority of) set up camp in the southern skies, 'God's Land' (Punt), the domain of Re.

"He made (it) as his monument for his father, Horakhty; making for him the "House-of-Usermare-Meriamon (Ramesses)-in-the-House-of-Re." (ibid p 215)

It is clear two separate deities are being spoken about here, for if Re and Horakhty were one and the same, it would simply read...

"He made it as his monument for his father, Re making for him the "House-of-Ramesses-in-Re's-House" (the ancient Egyptians may have been naive but they were not stupid!). The glorious temples at Abu Simbel in the far south were built as a direct result of Ramesses/Mars and his divine queen Nefertari/Venus migrating sunside (daytime) to appear in the southern skies - clearly seen during the day courtesy of a red Sun.

Horemheb (Moon)
"His majesty sailed down-stream as the image of Harakhte." (ibid p 18)

Planetary alignment that will take place Dec 3, 2012 is dead-on alignment with the Pyramids at Giza

Planetary alignment that will take place Dec 3, 2012 is dead-on alignment with the Pyramids at Giza. Night Sky in Giza, Egypt on December 3, 2012, local time … one hour before sunrise compared with the Pyramids at Giza.

Planets inline: Mercury / Venus / Saturn

Stunning Information : show-distance relationship in Egypt's Pyramids to the human body

Stunning Information : show-distance relationship in Egypt's Pyramids to the human body
Pictured below is the wooden door of Hesire, a Third Dynasty high level official.   When his height (measured to the hairline) is divided into 18 even segments it is observed that the figure's proportions conform to those determined by the classic canon.  His navel in particular is exactly where one would expect to find it according to the canon.  This figure, being of earlier design than Khufu's pyramid and also containing the classic proportions, is then an apt one to use when making a comparison of the human proportions and those of the substructure of Khufu's pyramid.

Hesire, Third Dynasty Physician and Dentist
 
The vertical line that passes through the King's chamber marks the east-west center line of the pyramid,
the whole passage system being offset to the east of the center-line by almost 24 feet.

The proportional relationship between the height of the King's chamber ceiling and the height of the pyramid's entrance is shown above to be 18:11.  This is the same relationship that exists between a figure's height (reduced to the hairline) and the height of his navel as determined by the classic proportions utilized by artists as early as the Third Dynasty.

The Entrance to the Pyramid
The Navel of Osiris
After his body has entered the pyramid, the King undergoes a transitional phase in which he is reborn.  The role that the navel plays in this process is most significant.  For the child in the womb, the navel is the entrance to it's body, which is connected, via the umbilical cord, to the source of the child's sustenance.  The 'navel of Osiris' is mentioned in the texts in relation to the King's food supply.

In utterance 204 of the Pyramid Texts, for example, it is written:
"The finger of Unas, the small one, draws out that which is in the navel of Osiris.
Unas is not thirsty, he is not hungry..."

Of a papyrus detailing stories of Khufu's life, Budge writes:
"In the Westcar Papyrus we are told that when the three sons of Redjedef were born, the four Meskhenit goddesses who were present at their birth washed in turn each child, cut off his umbilical cord, and placed it in a four-sided cloth which was laid in a stone box. From the fact that the goddesses preserved the cord and wrapped it up in cloth and laid it in a box we are justified in assuming that they attached great importance to it, and that they intended to preserve it. Now Osiris was a king form his birth, and the three sons of Redjedef were destined to become Kings, and it is therefore clear that under the Ancient Empire, and long before, the Egyptians were in the habit of preserving the umbilical cords of Kings and great personages.

What they did with them the texts do not say, but the customs of Uganda and Unyoro throw some light on the matter, for the Baganda and Banyoro have been in the habit of preserving the umbilical cords of kings for untold generations. Thus Speke tells us: 
'The umbilical cords are preserved from birth, and, at death,
those of men are placed within the door-frame.'
1

Such significance placed on the preservation of the umbilical cords of Kings and its association with the door-frame at the time of death shows a remarkable similarity to what is illustrated by the sub-structure of Khufu's pyramid, as seen in the picture above.  The application of the artist's canon indicates that the body of Khufu entered the pyramid through the navel of the internal 'statue' of Osiris.

The entrance passages of many pyramids were intentionally aimed in the direction of the north celestial pole, the navel of the Night Sky, the centre around which the stars appear to rotate.

The Four Sons of Horus and the Celestial Pole
The Ancient Egyptians associated the Four Sons of Horus with the four organs of the deceased, the lids of the canopic jars in which the organs were individually kept were fashioned in the shape of the four son's heads

The four pillars of Heaven personifiedThe Four Sons of Horus
These Gods later became equated with the four cardinal directions, or more precisely, the four pillars upon which the heavens rested.  Perhaps this association stemmed from the fact that the alignment of the four sides of the pyramid with the four cardinal points was ascertained by observing the stars in the northern polar region of the sky as described in the 'Stretching of the Cord' ritual.  The four sons of Horus are described in the texts as being related to this group of stars:

"Imsety, Hapy, Duamutef, and Qebehsenuef,
it is these who are behind the Constellation of the Thigh in the northern sky."
2


The Ancient Egyptian word for 'Thigh' is Khepesh and is the word used to denote the collection of stars commonly known today as the 'Big Dipper'.  They form the constellation of Ursa Major, which closely circles the north celestial pole, the region of the sky targeted by the descending passage of the pyramid.
'Khepesh'
Ursa Major
This connection of the Four Sons of Horus with the constellation Ursa Major has been discussed by Egyptologist John Gee.  His entire masters thesis was on the Four Sons of Horus, in which he noted that they were originally equated with the four stars of the 'bowl' of the Big Dipper.
Bernard Mathieu confirmed the same in his paper 'Theology and Astronomy Investigations in the Pyramid Texts'.
The celestial Four Sons of Horus could, then, be viewed as cranking the wheel of the cosmos, which is centered on the north celestial pole, the focus of the pyramid's entrance - the navel of the Osiris-Djed.  This clockwork-like mechanism would provide the Sun, and therefore the dead King, with the force that will lift him up to be reborn in the eastern horizon after having descended into the depths of the Duat.

The Pyramid Texts speak of the Four Sons of Horus lifting the King into the sky together with the morning Sun:

"These four gods Imsety, Hapy, Duamutef, and Qebehsenuef,
the children of Horus, they tie the rope-ladder for this King
they cause the King to mount up to Khepri when he comes into being "
.
The pyramid's statue of Osiris-Djed is connected to this powerful cosmic centre via an invisible umbilical cord, formed by the line of sight through the descending passage and out through the pyramid's entrance.

The North Wind
It might be interesting to note the importance of Ursa Major and the energy emanating from North celestial pole to practitioners of ancient Chinese Medicine.  They called this the 'Universal Force' which, after being drawn into the body and then combined with the 'Earth Force' absorbed through the feet, is then circulated around the navel.
The Chinese view the navel as being a door through which wind is drawn into and expelled from the body.  Sometimes medicine is given to small children through the navel rather than the mouth, this is done by grinding the herbs and applying them directly onto the navel. Traditional Chinese medicine affirms that the navel is connected to all the organs of the body. 5  The acupuncture point on the backbone at the height of the navel is called the "Door of Life".
The Ancient Egyptian texts similarly refer to the life-giving properties of the North wind.  In the following text the reborn king is given the North Wind:
"I have given the sweet breath of the North wind to Osiris
Wennefer as when he went forth from the womb of her who bore him..."

- Book of the Dead, chapter 182. 


In the Pyramid Texts the rejuvenating North Wind is brought into the tomb:
"This is this cavern of yours, the Broad Hall, O Osiris this King,
which brings the wind that it may strengthen
the north-wind and lift you up as Osiris this King."

- Pyramid Texts 581.


The North wind enters the pyramid through the opening of the descending passage located on the northern face of the pyramid.   Before the entrance to the pyramid was finally sealed, the North wind with its reviving powers entered Khufu's tomb through the navel of the internal 'statue' of Osiris, just as the baby in the womb receives it's life-giving sustenance through the navel.

Once the baby is born the umbilical cord connecting him to his source of food, that is his Mother, is severed closing off this entrance to the body.  The mouth is then opened and the airway cleared so that the newly born child can breath.  The mouth has now become the opening through which the body takes in sustenance in the form of air, food and drink.


The child's transition from the womb into the new world was emulated in a ritual called the 'Opening of the Mouth' in which the umbilical cord of the statue or mummy was ceremonially cut with a knife called the Pesesh-Kef.
7
Another tool used in the 'Opening of the Mouth' was called Meskhetiu, a word denoting aspects of 'birth' by the usage of the 'ms' ideogram, Gardiner's F31.  This tool was fashioned in the shape of the bull's thigh or the 'Constellation of the Thigh' and the same word Meskhetiu is used in the texts as a reference to this constellation in the northern sky, which in this case, is the focus of the Osiris-Djed's navel.
8
Marie Parsons, who wrote an article on the 'Opening of the Mouth' ceremony in Tour Egypt, explains that it was not only carried out on the mummified body of the king but also on ka statues and even entire temples:
"The ritual that would re-animate the deceased was called The Opening of the Mouth ceremony. It was an important ritual in both funerary and in temple practice. The Opening of the Mouth originated as a ritual to endow statues with the capacity to support the living ka, and to receive offerings. It was performed on cult statues of gods, kings, and private individuals, as well as on the mummies of both humans and Apis bulls. It was even performed on the individual rooms of temples and on the entire temple structure
The effect of the ritual was to animate the recipient (or, in the case of a deceased individual, to re-animate it). 
The ritual allowed the mummy, statue, or temple, to eat, breathe, see, hear and enjoy the offerings and provisions performed by the priests and officiants, thus to sustain the ka."
"The earliest Old Kingdom textual references to the ceremony date to the early 4th dynasty, to the Palermo stone and the decoration of the tomb of the royal official Metjen. At this time, the ritual seems to have been performed solely to animate statues, rather than to re-animate the deceased."


The King's Chamber 
The 'House of the Coffer' 
Neb-Sokar, meaning: 'Lord of the Coffer' is a title of Osiris and the name of the figure placed in the tomb.9

A slight variation of this word is Neb-Sokar-t, which means 'House of the Coffer'.  The 'House' determinative hieroglyph in this word replaces that of 'God'.  The 'House of the Coffer' later became the place in which the Djed pillar was worshipped. 

According to tradition, Neb-Sokar-t was located in the portion of Djedu where the Jaws of Osiris were preserved.
11
Once the depiction of Osiris-Djed is realised in the Great Pyramid's internal chamber system, it can be observed that the figure's jaws are located in the western half of the King's chamber - the very position of the granite coffer.

Neb-Sokar  the  'Lord of the Coffer'
=
Title of Osiris and the body in the tomb

     
Neb-Sokar-t  the 'House of the Coffer'
= Place associated with the Jaws of Osiris

   
Khufu's Sarcophagus Chamber & the Mouth of Osiris


In this particular case, Neb-Sekert or 'House of the Coffer' is indeed the location of the Jaws of the Osiris.  Here, in the most sacred part of the pyramid, the ritual of the 'Opening of the Mouth' may have been performed inside the mouth of the colossal statue.   This action would endow the entire tomb sub-structure,which forms this gigantic cult statue of the king, with the capacity to receive offerings and in turn support his living ka.

Like the umbilical chord, the Jaw bones played a significant role in the funerary customs of early Egyptian Kings.  In African burials, it was customary to remove the lower jaw before burial.  The jawbone was preserved with honor in a house built especially for it.  With the development of the cult of Osiris, however, all the parts of the body had to be reunited for the King to be reborn.
12 This reconstitution of his jaws and mouth enabled him to eat and drink the offerings that were presented to him after death.

In the Pyramid Texts of Unas we find the phrase:
"O King, I fasten for you your jaws which were divided - pesesh-kef


In chapter 99 of the Book of the Dead the deceased says that the god (Osiris) is equipped, that he is equipped; that the god (Osiris) is provided with jawbones, and that he is provided with jawbones.

Khufu's body is united with the jaws of the colossal figure of Osiris that stands inside his pyramid.  His body is placed in the sarcophagus, directly into the mouth of Osiris.  The mummified body of the king could have served as the food ( kau) that would sustain his Ka in the tomb. 
"In the case of a very great man such a figure is placed in the middle of the town or village, in order that the living may benefit by consultation with the Ka when it visits is there was such an image twelve feet high in the centre of a circle of Elephant's tusks and the natives were in the habit of making offerings of Palm oil and goats blood to it. Not only was it necessary to provide a figure for the King to dwell in, but if it was not to perish of cold, hunger and thirst, offerings of meat and drink, clothing, etc., must be placed in the tomb so that the ka might eat and drink..."14
"In most villages (in Lower Niger) will be found a low hut, sometimes not larger than a dog-kennel, in which, among all tribes, are hung charms, or by which is a growing plant. In some tribes a rudely carved human figure stands in that hut as an idol. That idol, charm, or plant, as the case may be, is believed for the time to be the residence of a spirit, which is to be placated by offerings of food of some kind - a dish of boiled plantains or a plate of fish. This food is not generally removed till it spoils. Sometimes, where the gift is a large one, a feast is made; people and spirit are supposed to join in the festival, and nothing is left to spoil. That it is of use to the spirit is fully believed, and some say that the 'life', or essence of the food has been eaten by the spirit, only the material form remaining to be removed." 


The Queen's Chamber
The 'Chamber of Offerings'
The so-called 'Queen's chamber' was named such by the first Arab explorers who's custom it was of burying women in tombs with gabled ceilings.  Arab men were, in contrast, buried in tombs with flat ceilings hence the sarcophagus chamber in Khufu's pyramid is to this day known as the 'King's Chamber'.

It has been accepted in recent years that the three chambers of the Great Pyramid were not the result of a continuing change of plans, as previously proposed by Borchardt and others.  The tenet that the three main chambers were intentionally planned from the outset is presently upheld by a number of Egyptologists, including Mark Lehner who argues that three chambers appear to have been the rule for Old Kingdom pyramids. 

Prior to the violation of the pyramid, the passage leading to the Queen's chamber was originally sealed by a floor stone at the bottom end of the Grand Gallery.  The Queen's chamber has the familiar characteristics of the serdab - a chamber built especially to house a statue, in which the King's ka would continue his existence.  The Queen's chamber has a niche built into the eastern wall which, it has been theorised, held the Ka-statue of Khufu. 

Although unsupported by hard evidence, Arab accounts claim that a statue made of green stone was found in the niche in the east wall of Queen's chamber.  Caliph Al Mamoon, the first man to successfully break into the pyramid in 820 AD, is likewise reported as having found a statue of a man made of green stone standing inside the niche.  This statue was said to have been seen later at the palace at Cairo in 511 A.H. 

Eastern view of the Queen's chamber as a Serdab containing a Ka statue
Offerings were traditionally made by priests or relatives of the deceased to the King's ka, which took up residence in the statue after death.  

Often two holes were made in one of the walls of the serdab so that the ka could see out. The only holes in the walls of the Queen's chamber are the two 'air shafts' in the north and south walls made famous by that little German robot called Upuaut II, the 'Opener of the Ways'.  As these 8 by 8 inch outlets are at eye level they could be interpreted, symbolically at least, as eye holes for the Ka-statue. 
Another more popular explanation is that these shafts were designed for the ba & ka to enter and leave the tomb through. Similar shafts in the burial chamber would also allow his ba & ka to visit his body at leisure but due to their small size would not allow the living to pass in and out of the chambers.

The upper ends of the Queen's chamber shafts stop short of the sides of the pyramid preventing any exit from the building and to further complicate matters, the lower ends were originally left sealed with only about five inches of limestone preventing entry to the chamber via the shafts.  The purpose of the shafts is still being debated and even the possible future opening of the
closure stone found behind 'Gantenbrink's Door' in the upper end of the Queens' chamber southern shaft may not give us any more of an idea of their intended function


The King's Chamber & the Queen's Chamber
compared with the Body's digestive system
We have seen that the position of the King's chamber, in relation to the figure of Osiris inside the pyramid, is representative of his head.  The Queen's chamber, on the other hand, is positioned lower, around the middle area of the torso.  By applying the artist's canon of proportions, the apex of the gabled roof is found to be equal to the position of the Solar Plexus.  The whole chamber occupies the area of the Stomach and the Liver.
Northern view of the Pyramid's internal structure(
The digestive system formed by the mouth, stomach and connecting esophagus is the anatomical architecture designed for extracting the energy from food (kau).  
Stomach
For the chamber where offerings were made to the ka to be positioned such that it corresponds precisely with the figure's stomach is fitting indeed.  Such an arrangement enables the food to be placed directly inside the stomach, that part of the body that is responsible for storing, breaking down and digesting food.  The result of this process is the production of energy to be used by the body and by the ka.

The small ka statue in its house could have functioned as a simulacrum or a surrogate for the much larger 'statue' of Osiris-Djed, formed by the pyramid's entire substructure.  This enormous statue would then be seen as benefiting from the food offerings that were made to the smaller statue.
James Allen shows that in Utterance 205 of the Pyramid Texts the dead king establishes himself as the source of his own food-supply.19 Khufu's mummified body is placed inside his sarcophagus, its position corresponding with the mouth.  His ka resided in a ka statue in the chamber situated at the location of the stomach.
In this arrangement his own body lying in the mouth of the figure of Osiris would serve as food (kau) for his ka.


Liver
The correlation of the Ka chamber, with the body's largest organ, the liver is also very intriguing.   Like the stomach, the liver is capable of producing energy from digested food. The liver converts glucose to a form of stored energy called glycogen, and can also produce glucose from sugars, starches, and proteins.
Thirty per cent of the blood pumped through the heart in one minute passes through the liver where it is detoxified. The only part of the body that receives more blood than the liver is the brain.
Chinese medicine regards the liver as the seat of the personality. The structure of the nervous system is considered to be like a potted plant which sprouts from the liver.  Doctors teach that the smooth flow of Chi (body energy) can only occur if the liver is healthy.  
Imsety - the 'Leader of his Brethren'
In Ancient Egypt the canopic jar containing the liver was in the shape of the human-headed son of Horus, Imsety.  The authority of Imsety over the other organs that were contained in animal-headed jars is reflected in the way in which he is described as the 'Leader of his Brethren'.  In comparison, the Chinese call the liver the 'General of the Army'.
The choice of a human head for the god presiding over the liver may also reflect an ancient Egyptian view of the liver as the container of the personality.  The word 'personality' has been suggested by both Faulkner and Gardiner as an appropriate definition of the ka.  In this sense, a connection can be made between the Ka statue and the Liver considering that both may be seen as containers of the Ka.
The present hypothesis held by Egyptologists that the 'Queens' chamber possesses the familiar characteristics of a Ka chamber or serdab, is strengthened by the fact that its location within the pyramid correlates with the position of the liver inside the body, the organic container of the personality, or ka.
***
Locked so accurately onto the four pillars of heaven, the foundations of the pyramid are earthed with enduring stability.  Its long narrow entrance passage built with fine precision is rooted deep in the Earth underneath the pyramid but is aimed at the centre of the Heavens.  The innovative arrangement of the tomb's substructure to portray the figure of the resurrected God with his legs buried in the earth like the roots of a tree enabled this connection with the Heavens to be interpreted as the umbilical cord of Osiris connected with the belly of the sky goddess Nut, his mother.
The hollow statue of Osiris formed by the chamber system inside the pyramid meant that Khufu's ba, when visiting the the tomb to receive sustenance, would further emulate the sun god Re's journey into the Duat where he is regenerated by his union with Osiris.  
The same themes of rebirth and renewal conveyed in the Pyramid Texts are expressed in the substructure of Khufu's pyramid.  Its original name of Akhet denotes the pyramid as the place of manifestation of Khufu's akh and describes it appropriately as his own House of Going Forth By Day.


"O Re-Atum, this King comes to you, an Imperishable Spirit,
Lord of the affairs of the place of the Four Pillars;
your Son comes to you, this King comes to you.   
May you traverse the sky, being united in the darkness;
may you rise in the Akhet,
in the place where it is well for you."
Pyramid Texts, Utterance 217.
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